This one's really polarizing, it seems most people who played this either really liked it or really hated it, and I think I can see why. There's things the game does very well, and then it screws itself by asking too much of the player. The game plays at a movie aspect ratio, so there's black bars on top and bottom of the screen present at all times. Lots of people complained about them, but they didn't bother me. It rather seems like the developers made good use of the graphics processing power they saved from those pixels, because the game looks really good for a PS3 release with great character models and proper visual direction. The Evil Within actually manages to create a scary atmosphere by restricting the draw distance, so when it's dark in game it's really dark and you stare into a deep black (assuming your monitor is properly calibrated). Most games today get this wrong and merely display dark areas in a tint of dark grey that looks flat and boring - apparently not many devs know about the importance of contrast in creating impressive visuals. I found the game worthy of playing for this alone. After all there's not many games with a real, oppressive horror atmosphere coming out these days - you gotta take what you can get.
Long have fans waited to get another Mario game akin to SM64 and Mario Sunshine. Before we finally got Mario Odyssey there was a span of more than 15 years without a game of its kind. The Galaxy games and 3D World are all great titles, but none of them offer anything close to the experience that made Mario's first two 3D games so memorable. In a way Super Mario Odyssey brings us back to the early years of 3D games.
Quick review because I think this game deserves some recognition. Maybe I just missed the discussions, but as far as I remember nobody on the internet talked about this one and there aren't many videos about it on youtube either.
Wow I put this review off for way too long. It's been more than 2 years since it was released and I haven't really played it in a while. And yet some aspects of the game are still vivid in memory that I want to lose some words on.
This is just a bonus game that came out of the kickstarter for Bloodstained: Ritual of the Night. But forget about this piece of info, because Curse of the Moon is a great game all on its own. It's so good I'd be surprised if the main game comes even close to this level of quality. Fingers crossed.
Finally done working on the software for my website. link
I was really looking forward to this game. It's a remake of Metroid II, the only game in the series I never got around to play. Apparently I missed out, because the remake turned out to be one of my least favorite Metroid games. Which is not supposed to mean that it's a bad one, as I overally enjoyed my first playthrough - just not enough to feel much like replaying it, and I replayed Metroid Prime Corruption multiple times inspite of it having been my least favorite in the series until Samus Returns. Fundamentally it's a good Metroid game that plays similar to Fusion in that the overall progression is rather linear while individual areas can be explored freely. The maps are well designed, there's a technique that allows the player to grab some items earlier than otherwise possible and there's the usual variety in Samus' arsenal and functions to facilitate lots of explorative possibilities. Boss battles feel too much like puzzles for my taste. They have very clear attack patterns that the player has to go through many and many times because of huge HP pools and the fact that most bosses show up multiple times and have to be beaten over and over.
Where to even begin. I loved Persona 3 & 5 and naturally was looking forward to this game a lot. While I didn't outright dislike playing it, it's still hard for me to deny that it disappointed me. The series always had pacing issues that never sat well with me. The earlier games held it at more or less tolerable levels, while Persona 5 has so many narrative events disrupting the bits of gameplay that even more than a year later I still can't bring myself to even think of replaying the game. With its prequels on the other hand I always jumped right into NG+. The smartphone chat app parts are the worst, characters in those would always say the same things irrelevant to the plot - what a waste of time. Others praise the new dungeons designs, while I still prefer the procedurally generated random dungeons employed by previous games. Now there's narrative events even inside of dungeons, breaking the flow of gameplay even more, enemy encounters are ironically nearly unavoidable. Apparently the stealth mechanics are there for the player to get surprise attacks on enemies, because fighting enemies is almost always the better choice to clear hallways for later re-treating and to gain precious exp. Sneaking past enemies just makes the game even slower, while running away barely works since there are very few save zones and enemies have the tendency to follow you for a long time. The tl;dr here is that the manually designed dungeons are very streamlined, with poor pacing and little tactical value since fighting every enemy is the only real option in most cases. Dungeons in P3&4 always had me considering whether I'd fight or avoid an enemy so those presented much more engagement for me.
The graphics look pretty good thanks to a nice art style. The characters have very static faces though, since the game still uses art portraits to display emotions. People somehow praise the "stylish" menues, while I find them offensive to the eye. To each their own I guess.
The soundtrack is great, but leaves something to be desired. I'm not a fan of the standard combat theme, and the soundtrack while exploring the overworld didn't feel as diverse as was the case in Persona 3 and 4. The few tracks the game has for those parts get old rather quick.
Some years ago there was a time I regularly played Phantasy Star Online 2, and it really got me interested in the series as a whole. Now I finally found the time to play its very first entry, a game that was developed before I was even born.